#4 in a series of posts about the tracks on my latest album, Small Things.
Continue reading “‘Trellis’ behind the scenes”‘Ashcan Edition’ behind the scenes
#3 in a series of posts about the tracks on my latest album, Small Things.
Continue reading “‘Ashcan Edition’ behind the scenes”‘Hammer and Tongs’ behind the scenes
#2 in a series of posts about the tracks on my latest album, Small Things.
Continue reading “‘Hammer and Tongs’ behind the scenes”‘Patience and Glue’ behind the scenes
#1 in a series of posts about the tracks on my latest album, Small Things.
Continue reading “‘Patience and Glue’ behind the scenes”Recent listens October 24
Here’s five recommendations from the …66? releases I’ve picked up since last December.
I can’t believe I haven’t done one of these posts the whole year! (I’m still listening to all of those releases from last December btw.) But I’m trying to be the opposite of just linking to the latest thing I’ve heard.
Continue reading “Recent listens October 24”Dreaming up hit em songs
So, a couple of weeks back Adrien hit me up to contribute to a compilation of hit em tracks. I contributed 3 tracks in 3 nights, during a stressful work week, and holy shit it was a good time. The original tweet being about a rave, I focused on dancefloor sounds that I’ve always loved: give me disco ahead of the entire history of rock, in a heartbeat, says the troll in me.
Continue reading “Dreaming up hit em songs”Writing about generative AI
This is a bit of a random one, but I wanted to just do a bit of a link dump. There’s been an absolute shed load of noise about generative AI and LLMs in the last year or so and here’s some of the writing I’ve found most interesting.
Continue reading “Writing about generative AI”Planck Tone mix
It was really fun to do this mix for Ivo who runs the Mahorka label that released my band Takamu about 18 months back. Here’s some words about my selections.
Continue reading “Planck Tone mix”Sound shopping experience
I’ve been thinking about music in shops. It’s a cliche surely that people, if asked, would never say they wanted more or louder music to play in a shop. But I had an experience that got me thinking about the alternatives.
Continue reading “Sound shopping experience”Recent listens December 23 🎶
It’s been 8 months since I’ve done one of these. It’s not an end of year list – I would be more interested to know your top 10 of 2018 right now, tbh.
Anyway, some things I reckon I’ve fully digested and really rate. I’ve been picking up a few things lately that I’m pretty buzzy about, so I might write again in another few months. See if the buzz remains.
Isolée – Resort Island (Resort Island)
Good old Isolée made one of my favourite house (-adjacent ?) tracks 25 years ago now. His releases since then, especially the albums, have been pretty patchy, but Beau Mot Plage was so good I kept on checking in. He’s had this thing over the years where he’s dancy but it’s weird and the results are often uncomfortable – in particular he does weird things harmonically, which I think usually put me off. Not like “I’m jazz!” but “I dgaf about tuning!” This album is much friendlier than usual and I happily play it start to finish anytime. It’s even quite lush compared to older stuff. Good times.
The Japanese House – In The End It Always Does (Dirty Hit)
I was faintly amazed some Newsroom quiz mentioned The Japanese House recently, but my partner says her music has been on various TV shows and such. It’s indie pop, I guess, and she used to get compared a lot to The 1975. This album is much, much more mellow and gentle than those times. Like the first single, Boyhood: “Lets build some hype with something so chill it verges on nondescript!” 😅 OK then. But the whole thing has sunk in and now I love it.
Zachary Utz – Pop Wheelies (Sound As Language)
This is the next release on the same label that put out my Epiphytes, and I can’t tell you honestly whether that influences my opinion of it. It’s a really intriguing mix of often quite glitchy noisy stuff and lushness: most tracks involve some mix of guitar, flutes and vibraphone and some cheerful and exotica-leaning harmonies and melodies, but stuttery processing, distortions and pinging electronic sounds make it spiky, occasionally bordering on abrasive. At least you can’t really relax into it, and in this case I like that about it.
The closest thing I can think of is Autechre remixing those chilled out Tortoise instrumentals, and it’s not that close.
J. Albert Meets Will August Park – Flat Earth (29 Speedway)
Another combo of electronic processing and acoustic instruments, but in this case piano-led jazz cut up and looped to create a way more sedate and laid back feel than the Utz record. Chill, but with plenty of substance.