releases

Ha, so yesterday I released my third solo EP for the year and forgot to do the bit where I announce it on this website.

Listen and download via Bandcamp or below, and read more at the 'Many Things' discography entry.

Hot on the heels of the first Montano remixes EP comes my 2nd Jet Jaguar release for the year.  It's free if you like.  I hope you enjoy it.  It features the vocals of great Christchurch-based muso Clare Wieck,

Right, I said I'd release 6 EPs this year, so I decided to get on with it.  Free if you like.  Listen and download below.  More details on the Discography page.

There are still some physical copies available of my most recent solo release.  

The cover is individually screen-printed and numbered and the album itself features the smanging (!) efforts of Shanalog, K*Saba, NAT WLKR, James Skylab, Samu, Andrew Loughnan, and Stephanie E.

Listen and order CDs or downloads at Bandcamp.

NZ$15 for physical, $5 for download

I've decided for 2013 I'm going to upload a short release (maybe 3 or 4 tracks) every second month. Discussing mastering now.

There's definitely some other projects on the go as well, but I figure I can commit to at least this much.

 2 new albums, a single, a bunch of remixes, over a dozen free tracks, gigs in Auckland and Wellington... 2012's been alright, music-wise.

Oops, I've updated everywhere but my own damn website.  Says something about online presence in 2012, I guess.  ANYWAY, new single from Stuart McDonald and me, recording again as Malty Media for the first time in 2 years.

Cool.

Wellington act Cold Eyes put out an EP called 'Young Adults' last month and has followed it up with a bonus release, 'Younger', which is packed with remixes and a few other unreleased bits.  Listen to my Jet Jaguar remix below or click the links in that last sentence.  (Duh!)

Fuck this guy.  He goes and makes all these great beats, including an EP I was even kind enough to go on about last year.  I deliberately seek out beatmakers for remixes, setting up a nice angle for this release.  He picks the most Dilla-flavoured beat from the originals.  And then turns in a completely beatless remix built entirely around layering up heaps of horn parts.